This article is closed for comments. Support quality journalism - Subscribe to The Hindu Digital. In fact, the swaras for Saveri ended with some ten ekaavarthana rounds. Hamirkalyani was eminently appropriate for his voice and style of singing. For the Hamirkalyani piece, the singer used the prathi madhyamam as the landing point for his sequences during kuraippu. The dasar kirtana is popular among 'namasankirtanam' music and to select that was rather unwise, considering that a Hamirkalyani was to follow. Please Email the Editor. 
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Narayanasamy and Balamuralikrishna, has a light voice that gently flits over the musical notes. Related Topics Music Carnatic Classical.
ದಾಸರ ಪದಗಳು | Barayya Venkataramana | Kuni Kuniyo Krishna
Please Email the Editor. January 08, Support quality journalism - Venkatramana to The Hindu Digital. Happiness just exudes from the colourful artist and engulfs everyone. His concert comprised three major elements - Vasantha Bhairavi, Bilahari and Kalyani. The nonchalant stroking of his long locks, the raised arm that indicates the place of a swara, the roll of his shoulders in rhythm with the tala, the effusive praise showered on accompanists, the unfading smile on his face - all these go to make them a success.
Prince Rama Varma, a scion of the Travancore royal family and a disciple of K. The raga uses a vivadi note, suddha nishadam, and sounds a bit like Bowli.
Not that his music is any less compelling. There are not too many briga sequences, nor does he stress on long karvais on each note.
Barayya Venkataramana
Clearly, swara singing is Prince Varma's barayyya forte. TVG was accompanied on the mridangam by Tiruvarur Bhaktavatsalam, who arrived 30 minutes late, and on the violin by V.
NASA gives you a chance! Barayyya January 08, The raga could be identified even in the opening phrase. He plays a lot around the lower octave notes for a splendid bass effect. The alapana featured unmistakable signature phrases of his guru, Chembai Vaidyanatha Bhagavatar, which TVG produced with closed-mouth and sideway-jerks of the lower jaw-an interesting style of singing.
Phrases are short and clipped.
Barayya Venkataramana by Yogindra Rakshith on Amazon Music Unlimited
For the Hamirkalyani piece, the singer used the prathi madhyamam as venkztaramana landing point for his sequences during kuraippu. In fact, the swaras for Saveri ended with some ten ekaavarthana rounds. Jayaraman who loved singing the song in his concerts.
Printable version Sep 30, This article is closed for comments. Submit Please enter a valid email address. It was a sweet alapana and the violinist, Dr Hemalatha, did a good job of following it.
He sings a lot of single tala cycle ekaavarthana swaras - a fading trait that is today only with a handful of elderly musicians. Hamirkalyani was appropriate with Prince Rama Varma's venkataamana and style of singing.
Gopalakrishnan's concert makes one happy partly through his music and partly from the cheer he spreads. The alapana of Vasantha Bhairavi was breezy and had obvious touches of Balamuralikrishna, whom TVG has accompanied on the mridangam innumerable times.
Carnatic Songs - bArayya venkaTaramaNa
The kalpanaswaras that tagged the composition ended in 'ni' rather emphatically, like the sharp ring of a bell, and that made the listening even more fun. The dasar kirtana is popular among 'namasankirtanam' music and to select that was rather unwise, considering that a Hamirkalyani was to follow.
The Jampa tala composition is generally delivered in a speedy gait, and with Tiruvarur Bhaktavatsalam responding with enthusiasm, the Bilahari piece came out very well. Hamirkalyani was eminently appropriate for his voice and style of singing. Swaras again were brilliant. The main piece of the concert was Kalyani.
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